Search results
Results from the WOW.Com Content Network
Current M-series sensors are effectively full-frame (crop factor 1.0). 548 mm 2 area Canon's APS-H format for high-speed pro-level DSLRs (crop factor 1.3). Current 1D/5D-series sensors are effectively full-frame (crop factor 1.0). 548 mm 2 area APS-H format for the high-end mirrorless SD Quattro H from Sigma (crop factor 1.35)
For example, a 28 mm lens delivers a moderately wide-angle FOV on a 35 mm format full-frame camera, but on a camera with a 1.6 crop factor, an image made with the same lens will have the same field of view that a full-frame camera would make with a ~45 mm lens (28 × 1.6 = 44.8). This narrowing of the FOV is a disadvantage to photographers when ...
Some popular sizes include "full-frame" or 35mm, APS-C, and 1-inch. Lenses are often intended to work with one of these sensor formats, but in some cases a lens can be used with multiple formats. [1] A “full-frame” type lens produces an image circle that is large enough to cover a 35mm sensor.
The latest Leica Leitz and Sharp Aquos R series phones do qualify because, despite using only 94% [b] of their 1.0-type sensors [2] [3] (with 4:3 aspect ratio), they maintain the same crop factor (2.7) and diagonal (1″) as a 1.0-type sensor with 3:2 aspect ratio, since that is the image circle for which their lenses were originally designed.
The edges are cropped off, which is equivalent to zooming in on the center section of the imaging area. The ratio of the size of the full-frame 35 mm format to the size of the smaller format is known as the "crop factor" or "focal-length multiplier", and is typically in the range 1.3–2.0 for non-full-frame digital SLRs.
The image would be a very low quality image (72ppi) if printed at about 28.5 inches wide, but a very good quality (300ppi) image if printed at about 7 inches wide. The number of photodiodes in a color digital camera image sensor is often a multiple of the number of pixels in the image it produces, because information from an array of color ...
2. 592:1 = 70:27 Cinerama at full height (three specially captured 35 mm images projected side by side into one composite widescreen image). 2. 6:1 = 8:3 = 24:9 Full-frame output from Super 16 mm negative when an anamorphic lens system has been used. Effectively, an image that is of the ratio 24:9 is squashed onto the native 15:9 aspect ratio ...
Fujifilm FinePix X100. This is a list of large sensor fixed-lens cameras, also known as premium compact cameras or high-end point-and-shoot cameras.These are digital cameras with a non-interchangeable lens and a 1.0‑type (“1‑inch”) image sensor or larger, excluding smartphones and camcorders.