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Aguilera first teased "No Es Que Te Extrañe" on her social media, announcing the album's final part, La Luz. The song premiered on September 30, 2022, and was released commercially for digital download and on streaming platforms worldwide alongside its music video. [14] The video was co-directed by Mike Ho and Aguilera and produced by Colin ...
Si me llevas contigo (If You Take Me With You) is the fifth studio album by Mexican singer Gloria Trevi. The album was released in November 1995 by BMG Ariola. [ 1 ] Sergio Andrade [ es ] produced her last album in the 1990s before both were arrested in 2000 for corruption of minors .
Yemọja (also: Yemaja, Yemanjá, Yemoyá, Yemayá; there are many different transliterations in other languages) is the major water spirit from the Yoruba religion. [1] She is the mother of all Orishas.
"Yo No Soy Esa Mujer" (transl. "I'm Not That Woman" ) is a song recorded by Mexican singer Paulina Rubio for her fifth studio album , Paulina (2000). It was released as the fourth single from Paulina on April 2, 2001.
No basta ser madre ("Not Enough to be Mother") is a 1937 Mexican film. It stars Carlos Orellana and Sara García. External links. No basta ser madre at IMDb
El espíritu de mi mamá ("The Spirit of my Mother") is a Spanish language feature film by Ali Allie about Garifuna woman's journey home to Honduras to embrace her cultural roots. It premiered at SXSW in 1999 and later at Dawn Breakers International Film Festival. It was released on DVD in 2002 by Vanguard Cinema and was the first fictional ...
Francisca Josefa de Castillo y Guevara was born into a wealthy family on October 6, 1671, in Tunja, which at the time was part of the New Kingdom of Granada.Her father, Francisco Ventura de CastiIlo y Toledo, an hidalgo colonist originally from Illescas in Spain, was initially appointed General lieutenant of the city and then Mayor.
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.