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The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...
James Elton Keyes (born June 16, 1944) is a former American football placekicker and linebacker who played two seasons with the Miami Dolphins of the National Football League (NFL). He played college football at Mississippi and was drafted by the Dolphins in the second round of the 1968 NFL/AFL Draft .
2. “At Last” by Etta James (1960) Chances are, you’ve heard this song at least once in your lifetime. The minute Etta James croons “At last…” you’re swaying to the music and ...
The song has been recorded by many artists. It was the signature theme of the 1967 film Guess Who's Coming to Dinner, performed by nightclub singer Jacqueline Fontaine on camera, as well as over the opening and closing credits. [4] Bette Midler included the song in the film Beaches (1988) and it appears on the soundtrack album.
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The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
[27] The Element of Freedom is composed mostly of love songs, whose lyrics deal with relationships, falling in love, and/or heartbreak. The lead single "Doesn't Mean Anything" has a similar theme to Keys' previous single " If I Ain't Got You " (2004) from her second studio album The Diary of Alicia Keys (2003)–choosing love over materialism .