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"Ob-La-Di, Ob-La-Da" was released on The Beatles on 22 November 1968. [43] [44] As one of the most popular tracks on the album, it was also issued as a single, backed by "While My Guitar Gently Weeps", [45] in many countries, although not in the main commercial markets of the UK and the United States. [46]
A short electric guitar solo appears at 1:53 and at 2:10 the horn fanfare re-enters. The song closes with fading vocals of McCartney. In Barry Miles' 1997 book Paul McCartney: Many Years from Now, McCartney disclosed that the song was about marijuana. [5] "'Got to Get You into My Life' was one I wrote when I had first been introduced to pot ...
After a lesser hit with their follow-up single "Wait For Me Mary-Anne" (written by Alan Blaikley and Ken Howard), which made No. 30, they enjoyed their biggest UK success with their cover of the Beatles' "Ob-La-Di, Ob-La-Da", which topped the UK chart in January 1969, [2] the group becoming the first Scottish group to top that chart. [3]
"I Want to Hold Your Hand" is a song by the English rock band the Beatles, written by John Lennon and Paul McCartney. Recorded on 17 October 1963 and released on 29 November 1963 in the United Kingdom, it was the first Beatles record to be made using four-track recording equipment.
[78] [79] The song was issued as the B-side of "Ob-La-Di, Ob-La-Da", [80] a McCartney-written song that had also tested the Beatles' patience during the White Album sessions. [81] [82] This single was an international hit, topping charts in Australia, Austria, Switzerland [83] and West Germany, [84] but was not released in Britain or the United ...
This page was last edited on 28 June 2010, at 21:58 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
The guitar solo in "Reflections of My Life", often referred to as "reverse" guitar solo, was a sixteen bar (measure) sequence featured in the recording by Junior Campbell, the band's lead guitarist. The song is in the key of G major and the solo was recorded thus:
Unterberger speculates that the removal of these guitar parts may have caused tension between McCartney and Harrison, anticipating the pair's disagreements regarding the lead guitarist's role on McCartney compositions such as "Hey Jude" and "Two of Us" over 1968–69. [38] Two violas were added to "Hello, Goodbye" at Abbey Road on 20 October.