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Features one of the greatest tenor arias of all time, Celeste Aida. 1874 Boris Godunov (Modest Mussorgsky). Mussorgsky's great historical drama shows Russia's descent into anarchy in the early 17th century. [124] 1874 Die Fledermaus (Johann Strauss II). Probably the most popular of all operettas. [125] 1874 The Two Widows (Smetana). Another ...
K 1 K 6 Composition, score and critical report () Librettist Date 23 "Conservati fedele" (Score/Crit. report) Aria for soprano and orchestra: Metastasio, Artaserse I,1: October 1765
Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work. The term also refers to insertion arias for operas, that is those that were written as additions to the score after its initial completion or as possible substitutions for other arias. These ...
Rank Opera Composer Aria 100 The Bohemian Girl: Balfe "I Dreamt I Dwelt in Marble Halls" 99 Parsifal: Wagner Prelude 98 The Magic Flute: Mozart "Der Vogelfänger bin ich ja" (Birdcatcher's Aria)
"Che gelida manina" ([ke ˈd͡ʒɛ.li.da maˈni.na]; "What a frozen little hand") [1] is a tenor aria from the first act of Giacomo Puccini's opera, La bohème.The aria is sung by Rodolfo to Mimì when they first meet.
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme.
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"La Betulia liberata" by Florian Leopold Gassmann: abridgements in recitatives and arias, and additional choirs taken from other compositions of Gassmann's (1820) "Il Talismano": joint composition by Salieri (first act) and Giacomo Rust (second and third act) (1779)