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Another time, Mizi Xia bit into an especially delicious peach and gave the remainder to the Duke as a gift so he could taste it as well. Both acts ingratiated him further with the ruler. However, once Mizi Xia's looks faded, the Duke turned against him, claiming he stole the carriage and then insulted the Duke by offering him a half-eaten peach ...
Li (Chinese: 鬲; pinyin: lì) is a kind of cookware in ancient China, used for cooking and heating. [1] Ceramic li appeared in the late Neolithic Age, and bronze li were popular from the Shang dynasty to the Spring and Autumn period. In the late Warring States period, with the popularity of stoves, they were gradually replaced by kettles.
The Chinese also considered peach wood (t'ao-fu) protective against evil spirits, who held the peach in awe. In ancient China, peach-wood bows were used to shoot arrows in every direction in an effort to dispel evil. Peach-wood slips or carved pits served as amulets to protect a person's life, safety, and health. [1]
Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns , to the sophisticated Chinese porcelain wares made for the imperial court and for export.
Duke Ling was one of the most famous representatives of the homosexual tradition in China, as portrayed in the philosophic work Han Feizi by Han Fei. In the chapter Shuonan ( 說難 ), [ 6 ] Duke Ling favours a courtier named Mizi Xia ( 彌子瑕 ), who he allows to use the ducal carriage without permission, and who he admires for handing over ...
According to Chinese legends and mythology, the sanzuwu lived on the sun and was perceived as the envoy who operated the sun; since the ancient Chinese people worshipped the sun, the sanzuwu was worshipped as a symbol of happiness and comfort. [12] The sanzuwu is one of the Twelve Ornaments, which adorn the Emperor's imperial robe. [12]
The traditional Chinese character for longevity (壽) is placed in the center with two turtles each carrying four immortals placed symmetrically around the character. Atop the character is a peach. The image of the Eight Immortals invokes ancient Chinese idol worship and prayer for immortal life. Both turtles and peaches are metaphors for ...
A large bronze head with protruding eyes that some believe to be a depiction of Cancong, the semi-legendary first king of Shu [6]. Many Chinese archaeologists have identified the Sanxingdui culture to be part of the ancient kingdom of Shu, linking the artifacts found at the site to its early and legendary kings.
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