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Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference.
Renga (連歌, linked poem) is a genre [1] of Japanese collaborative poetry in which alternating stanzas, or ku (句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets.
Paralleling the development of haiku in English, poets writing renku in English nowadays seldom adhere to a 5-7-5 syllable format for the hokku, or other chōku ('long verses'), of their poem. The salutative requirement of the traditional hokku is often disregarded, but the hokku is still typically required to include a kigo (seasonal word or ...
Kobayashi Issa (小林 一茶, June 15, 1763 – January 5, 1828) [1] was a Japanese poet and lay Buddhist priest of the Jōdo Shinshū.He is known for his haiku poems and journals.
What some people call Estonian haiku (Estonian: Eesti haiku) is a form of poetry introduced in Estonia in 2009. [23] The so-called "Estonian haiku" is shorter than a Japanese one; the syllable count in Japanese haiku is 5+7+5, while Estonian haiku also goes in three lines but only comprises 4+6+4 syllables. Estonian authors claim that this is a ...
The Third Masaoka Shiki International Haiku Awards 2004 [4] Grand Prize/ Gary Snyder, United States of America; Haiku Prize/ Hidekazu Masuda, Brazil/Ko Reishi, Taiwan; EIJS Special Award/ Bansei Tsukushi, Japan; The Fourth Masaoka Shiki International Haiku Awards 2008 [5] Grand Prize/ Kaneko Tohta, Japan; Haiku Prize/ Kawahara Biwao, Japan
The oldest known collection of haikai linked verse appears in the first imperial anthology of renga, the Tsukubashū (1356–57). [2]Traditional renga was a group activity in which each participant displayed his wit by spontaneously composing a verse in response to the verse that came before; the more interesting the relationship between the two verses the more impressive the poet’s ability.