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The main variant shapes are the "segmental", "curved", or "arch" pediment, where the straight line triangle of the cornice is replaced by a curve making a segment of a circle, the broken pediment where the cornice has a gap at the apex, [6] and the open pediment, with a gap in the cornice along the base. Both triangular and segmental pediments ...
Broken pediments, made prominent in Baroque Architecture, can be identified by their non-continuous triangular outline, usually open at the top apex. [6] One of the prominent variations of a broken pediment is a swan-necked or ram's head pediment which has a highly ornamented S-shape. [6]
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
Framed by eight Corinthian columns that support a broken pediment, the arch is ornate featuring the blending of Hellenistic elements. Not typical of Roman architecture, the Arch's broken pediment draws from an eastern tradition extending from Asia to Palestine. Besides, the columns are Corinthian pilasters decorated in deep-drilled vine scrolls ...
The Parthenon's west pediment depicted the contest between Athena and Poseidon over Attica and the east pediment the birth of Athena. [15] Classical archeologists since Johann Joachim Winckelmann's Geschichte der Kunst des Alterthums (published 1764) have recognized Greek pediment sculpture, in particular the pediments of the Parthenon, as the standard of the highest-quality art in antiquity. [16]
The lower and upper parts are separated by two broken pediments at the ends of the wall (where the ancient busts rest) and by the architrave running between them. This architrave supports an elaborate mask and festoon motifs. In the lower part of the wall are two painted tabernacles supporting the broken pediments described above.
A door casement in the Study of the Bastards' House. The broken pediment is a motif of the Baroque period. The door panels contain different motifs demonstrating available styles Charlton Marshall, parish church of St. Mary. The Bastard brothers' work in the no longer fashionable Baroque seems to have been through preference rather than ignorance.
Two entablatures superimposed over the main one, all three with arched, angled or broken pediments, concentrate attention on the richly sculptural central bay of the façade's two storeys, in a theatrical composition "more curious than exemplary" that found few imitators. [7]