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Bird and mammal specimens are conserved as dry study skins, a form of taxidermy. [1] The skin is removed from the animal's carcass, treated with absorbents, and filled with cotton or polyester batting (In the past plant fibres or sawdust were used). Bird specimens have a long, thin, wooden dowel wrapped in batting at their center.
There are no known examples of any fur-bearing trout species, but two examples of hair-like growths on fish are known. The "cotton mold", Saprolegnia, can infect fish, which can result in the appearance of fish covered in the white "fur". Another fish, Mirapinna esau, has hairlike outgrowth and sports wing-like pectoral fins.
[3] Both ground hair and guard hair are classified as fur. Because human hair acts as both, it can technically be called "fur". In reality, the keratin fibers that are described variously as hair, wool, or fur, depending on the animal type, are all referring to the same thing. [4] Taxidermy animals at the Kunming Natural History Museum of Zoology
Taxidermy is practiced primarily on vertebrates [3] (mammals, birds, fish, reptiles, and less commonly on amphibians) but can also be done to larger insects and arachnids [4] under some circumstances. Taxidermy takes on a number of forms and purposes including hunting trophies and natural history museum displays. Unlike meat harvesting ...
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood, as well as inorganic materials, such as burlap, glass, and foam.
There have been attempts to categorise taxidermy in both artistic and scientific terms for over a century. An 1896 review of Montagu Browne’s Artistic and Scientific Taxidermy and Modelling notes that “Any work which will aid in more clearly defining the difference between the art of taxidermy and the trade of taxidermy is to be welcomed.” [1] Stephen T. Asma suggests that natural ...
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