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[2] The Buddha instructs the king to make a mala from the seeds of a soapberry tree (likely the aristaka, the Indian soapberry tree) and recite an homage to the three jewels while passing the mala through his fingers. The text also states the mala should be worn at all times, and that if a million recitations were completed, the king would end ...
Yingluo (simplified Chinese: 璎珞; traditional Chinese: 瓔珞; also written as 缨络; 纓絡; from the word keyūra in Sanskrit which was transliterated into jiyouluo (积由罗) in China) is a ring-shaped neck ornament or fashion jewellery of Buddhist origins in ancient China with its earliest prototypes having roots in ancient India.
The 'Outer' form is the 'Triple Gem' (Sanskrit: triratna), the 'Inner' is the Three Roots and the 'Secret' form is the 'Three Bodies' or trikāya of a Buddha. These are: [1] the Buddha, the fully enlightened one; the Dharma, the teachings expounded by the Buddha; the Saṅgha, the monastic order of Buddhism that practice the Dharma
"Indra's net" is an infinitely large net owned by the Vedic deva Indra, which hangs over his palace on Mount Meru, the axis mundi of Buddhist and Hindu cosmology.In East Asian Buddhism, Indra's net is considered as having a multifaceted jewel at each vertex, with each jewel being reflected in all of the other jewels. [4]
By reciting the Dharani (small hymn) of Cintamani, Buddhist tradition maintains that one attains the Wisdom of Buddha, able to understand the truth of the Buddha, and turn afflictions into Bodhi. It is said to allow one to see the Holy Retinue of Amitabha and assembly upon one's deathbed. In Tibetan Buddhist tradition the Chintamani is ...
The Mani Jewel itself represents each being's Buddha-nature, but because of the three poisons of ignorance, attachment, and aversion, a being sees only the various colors emitted by the jewel. These are mistakenly perceived as the defilements rather than the purity of the jewel itself, which is merely reflecting conditions around it.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The seeds are used as beads to make malas (rosaries), known as Bodhichitta malas, [2] Buddha chitta mala, or Bodhi seed malas, used in Tibetan Buddhist worship. These are highly valued with a mala of 108 beads costing up to 80 thousand Nepalese Rupees. However the price of the mala varies according to the diameter and the face of the seed.
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