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  2. Shri Ramachandra Kripalu - Wikipedia

    en.wikipedia.org/wiki/Shri_Ramachandra_Kripalu

    Shri Ramachandra Kripalu, or "Shri Ram Stuti," is a Stuti (Horation Ode) verse from his work called Vinaya Patrika, written by Goswami Tulsidas. It was written in the sixteenth century in a mix of Sanskrit and Awadhi languages. The prayer/ode glorifies Shri Rāma and his characteristics to the best. Original version: MIX of Awadhi and Sanskrit:

  3. Bhajan - Wikipedia

    en.wikipedia.org/wiki/Bhajan

    This involves a tradition that has been followed for the last several centuries and includes Songs/Krithis/Lyrics from great composers all over India encompassing many Indian languages. [20] A Bhajan may be sung individually, but more commonly together as a choral event wherein the lyrics include religious or spiritual themes in the local language.

  4. Jagadguru - Wikipedia

    en.wikipedia.org/wiki/Jagadguru

    Jagadguru, literally meaning "guru of the universe", is a title used in Sanātana Dharma.Traditionally, it has been bestowed upon or used for ācāryas belonging to the Vedānta school (among the six traditional schools of thought in Hinduism) who have written Sanskrit commentaries on the Prasthānatrayī (literally, 'the three sources') – the Brahma sūtras (the original scripture of ...

  5. Jagadguru Shri Kripalu Ji Maharaj - Wikipedia

    en.wikipedia.org/wiki/Jagadguru_Shri_Kripalu_Ji...

    Jagadguru Shri Kripalu Ji Maharaj (IAST: Kṛpālu; 5 October 1922 – 15 November 2013) [4] [5] was an Indian spiritual guru and the fifth Jagadguru. [6] He was the founder of Prem Mandir in Vrindavan , one of the ten largest Hindu temples in the world.

  6. Thumak Chalat Ram Chandra - Wikipedia

    en.wikipedia.org/wiki/Thumak_Chalat_Ram_Chandra

    Thumak Chalat Ram Chandra is a bhajan (Hindu devotional song) written in the 16th century by the poet Goswami Tulsidas.The bhajan glorifies Shri Rama and his characteristics during the childhood. [1]

  7. Glossary of Carnatic music - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_Carnatic_music

    There are 5 sthāyis in Carnaatic music, namely, Anumandara (lowest), Mandara (literally means chant, which means lower), Madhya (literally means middle), Taara (means higher) and Athitaara (meaning very high). Most artists sing over two octaves or two and a half octaves range (within Mandra, Madhya and Taara sthaayis).

  8. Kâtibim - Wikipedia

    en.wikipedia.org/wiki/Kâtibim

    Another Arabic version of the Levantine folklore, mostly sung as part of the Aleppine genre, is "Ghazali Ghazali" (Arabic:"غزالي غزالي") meaning "My Gazelle". [ 16 ] The melody is shared by " Talama Ashku Gharami " (Arabic: "طالما أشكو غرامي"), [ 17 ] a traditional Arabic poem or Qasida for Muhammad and is similar to the ...

  9. Harivarasanam - Wikipedia

    en.wikipedia.org/wiki/Harivarasanam

    English Transliteration English Meaning Harivarasanam Viswamohanam. Haridadheeswaram Aaradhyapadukam. Ari vimarddanam Nithyanarthanam. Hariharathmajam Devamashraye. Sharanam Ayyappa Swamy Sharanam Ayyappa. Sharanam Ayyappa Swamy Sharanam Ayyappa. Repository of Hari’s boons, Enchanter of the universe,