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The origins of Tolkien's Dwarves can be traced to Norse mythology; Tolkien also mentioned a connection with Jewish history and language. Dwarves appear in his books The Hobbit (1937), The Lord of the Rings (1954–55), and the posthumously published The Silmarillion (1977), Unfinished Tales (1980), and The History of Middle-earth series (1983 ...
The Tolkien scholar Tom Shippey comments that "the themes of the Escape from Death, and the Escape from Deathlessness, are vital parts of Tolkien's entire mythology." [ 8 ] In a 1968 BBC television broadcast, Tolkien quoted French philosopher Simone de Beauvoir and described the inevitability of death as the "key-spring of The Lord of the Rings ".
This category lists Dwarves from the works of J. R. R. Tolkien. The magic word __NOGALLERY__ is used in this category to turn off thumbnail display since this category list unfree images, the display of which is restricted to certain areas of Wikipedia.
The race of Dwarves prefers to live in mountains and caves, settling in places such as Erebor (the Lonely Mountain), the Iron Hills, the Blue Mountains, and Moria (Khazad-dûm) in the Misty Mountains. Aulë the Smith creates Dwarves; he invents the Dwarven language, known as Khuzdul. Dwarves mine and work precious metals throughout the ...
The first page from The Book of Mazarbul, a facsimile artefact created by Tolkien to support the story of Balin's death. [1] The Tolkien scholar John D. Rateliff writes that Balin is the only Dwarf of Thorin's company whose name does not come directly from the Old Norse poem Völuspá, part of the Poetic Edda. [2]
The name Mirkwood derives from the forest Myrkviðr of Norse mythology. 19th-century writers interested in philology, including the folklorist Jacob Grimm and the artist and fantasy writer William Morris, speculated romantically about the wild, primitive Northern forest, the Myrkviðr inn ókunni ("the pathless Mirkwood") and the secret roads across it, in the hope of reconstructing supposed ...
The Tolkien scholar Paul H. Kocher writes that Tolkien characterises Dwarves as having the "cardinal sin of 'possessiveness'", [10] seen sharply when Bard the Bowman makes what Bilbo feels is a fair offer for a share of Smaug's treasure, and Thorin flatly refuses, his "dwarfish lust for gold fevered by brooding on the dragon's hoard". [10]
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...