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  2. Charmides (dialogue) - Wikipedia

    en.wikipedia.org/wiki/Charmides_(dialogue)

    The Charmides (/ ˈ k ɑːr m ɪ d iː z /; Ancient Greek: Χαρμίδης) is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint."

  3. Phaedo - Wikipedia

    en.wikipedia.org/wiki/Phaedo

    Socrates offers four arguments for the soul's immortality: The Cyclical Argument, or Opposites Argument explains that Forms are eternal and unchanging, and as the soul always brings life, then it must not die, and is necessarily "imperishable". As the body is mortal and is subject to physical death, the soul must be its indestructible opposite.

  4. Phaedrus (dialogue) - Wikipedia

    en.wikipedia.org/wiki/Phaedrus_(dialogue)

    The discussion of rhetoric, the proper practice of which is found to actually be philosophy, has many similarities with Socrates's role as a "midwife of the soul" in the Theaetetus; the dialectician, as described, is particularly resonant. To practice the art, one must have a grasp of the truth and a detailed understanding of the soul in order ...

  5. File:Socrates- The Apology and Crito of Plato (IA ...

    en.wikipedia.org/wiki/File:Socrates-_The_Apology...

    Original file (497 × 793 pixels, file size: 4.56 MB, MIME type: application/pdf, 114 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.

  6. Plato's theory of soul - Wikipedia

    en.wikipedia.org/wiki/Plato's_theory_of_soul

    Plato's theory of the soul, which was inspired variously by the teachings of Socrates, considered the psyche (Ancient Greek: ψῡχή, romanized: psūkhḗ) to be the essence of a person, being that which decides how people behave. Plato considered this essence to be an incorporeal, eternal occupant of a person's being.

  7. Ion (dialogue) - Wikipedia

    en.wikipedia.org/wiki/Ion_(dialogue)

    Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...

  8. Socratic dialogue - Wikipedia

    en.wikipedia.org/wiki/Socratic_dialogue

    In the dialogues Socrates presents himself as a simple man who confesses that he has little knowledge. With this ironic approach he manages to confuse the other who boasts that he is an expert in the domain they discuss. The outcome of the dialogue is that Socrates demonstrates that the other person's views are inconsistent.

  9. Second Alcibiades - Wikipedia

    en.wikipedia.org/wiki/Second_Alcibiades

    The Second Alcibiades or Alcibiades II (Greek: Ἀλκιβιάδης βʹ) is a dialogue traditionally ascribed to Plato.In it, Socrates attempts to persuade Alcibiades that it is unsafe for him to pray to the gods if he does not know whether what he prays for is actually good or bad for him.