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By 1517, Leonardo da Vinci's The Last Supper had already started to deteriorate, as was noted in many diaries and letters of the time. The corrosion of the work can be accredited to Leonardo's unconventional painting technique for a work on a wall, as well as the surface itself.
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
[3] [173] The Last Supper is the most reproduced religious painting of all time, [157] and Leonardo's Vitruvian Man drawing is also considered a cultural icon. [174] More than a decade of analysis of Leonardo's genetic genealogy, conducted by Alessandro Vezzosi and Agnese Sabato, came to a conclusion in mid-2021. It was determined that the ...
Leonardo da Vinci's the "Last Supper" is visited by over 460,000 tourists each year, making it one of the top 10 most visited attractions in all of Italy. Here's why. ... Da Vinci's 'Last Supper ...
The famously long waits to see Leonardo da Vinci’s "Last Supper" are gone. Leonardo da Vinci’s ‘Last Supper’ Reopened to the Public This Week — Without the Infamous [Video] Skip to main ...
Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept ...
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The Last Supper, ca. 1520, by Giampietrino, after Leonardo da Vinci, oil on canvas, in the collection of The Royal Academy of Arts, London; an accurate, full-scale copy of the original that was the main source for the twenty-year restoration of the original work (1978–1998)