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In the 1950s, sax players like tenor saxophonist John Coltrane and Sonny Rollins broke new ground in jazz, infusing their music with rhythm and blues, modal, Latin and gospel influences as part of the hard bop subgenre. In the 1950s and 1960s, free jazz pioneers such as Ornette Coleman and Albert Ayler developed unusual new sounds and playing ...
1950- X X Jazz, free jazz: Charles Gayle: 1939- X: X X: Free jazz: Stan Getz: 1927-1991 X Jazz: John Gilmore: 1931-1995 X X: Jazz: Vince Giordano: 1952- X Jazz: Jimmy Giuffre: 1921-2008 X Jazz: Vinny Golia: 1946- X X X X X X X Jazz: Benny Golson: 1929- X Jazz to Paul Gonsalves: 1920-1974 X Jazz: Kadri Gopalnath: 1950-2019 X Carnatic: Bob Gordon
Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
Fans loved the smooth sounds of jazz and catchy doo-opp tunes of the 1950s. This list includes the biggest artists of the time, from Elvis to Nina Simone. 30 Best Songs That Are Classically 1950s
Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. During ...
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One of the most memorable, if infamous and incongruous, moments in Joel Schumacher’s 1987 vampire classic The Lost Boys is that crazy concert scene, when a hulking, shirtless, and most ...
See also the list of cool jazz and West Coast musicians for further detail. Hard bop, an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing, developed in the mid-1950s, partly in response to the vogue for cool jazz in the early 1950s. The ...
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