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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Tā moko on men stopped around the 1860s in line with changing fashion and acceptance by Pākehā. [ citation needed ] Women continued receiving moko through the early 20th century, [ 12 ] and the historian Michael King in the early 1970s interviewed over 70 elderly women who would have been given the moko before the 1907 Tohunga Suppression Act .
The term "sleeve" is a reference to the tattoo's similarity in coverage to a shirt sleeve on an article of clothing. The term is also sometimes used in reference to a large tattoo that covers a person's leg. [1] The most typical sleeve tattoo is a full sleeve, which covers the arm entirely in tattoos from the shoulder to the wrist. [2]
This tattoo incorporates a sun and a yin-yang symbol into the semicolon. A yin-yang signifies the complementary forces that make up life on Earth ( 7 ). Image credits: @tatynpobkatattoostudio
Henna tattoo art is an ancient practice with profound cultural and spiritual significance. The intricate patterns made using this natural plant dye can symbolize blessings, protection, and joy and ...
Ohaguro existed in Japan in one form or another for hundreds of years, and was considered a symbol of beauty for much of this time. Objects with a deep black color, such as those lacquered to a glossy black, were considered to be of great beauty, and many shades of black were used in dyeing kimono, with different shades holding different meanings.
Men could also receive tattoos but these were often much less extensive than the tattoos a woman would receive. Facial tattoos are individually referred to as tunniit (ᑐᓃᑦ), and would mark an individual's transition to womanhood. The individual tattoos bear unique meaning to Inuit women, with
The name "Benten Kozō" (弁天小僧) actually refers to the main character of the play, a gizoku (honorable thief), one of a band of five such men. Another common name for this play is " Shiranami Gonin Otoko " ( 白浪五人男 , "Five Men of the White Waves") , " shiranami " (white waves) being a term used to refer to thieves.
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