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The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
Homemaker was a pattern of mass-produced earthenware tableware that was very popular in the United Kingdom in the 1950s and 60s. [ 1 ] [ page needed ] The pattern was designed by Enid Seeney [ 2 ] [ 3 ] (2 June 1931 – 8 April 2011), [ 2 ] manufactured by Ridgway Potteries of Stoke-on-Trent between 1957 and 1970, [ 3 ] [ 1 ] [ page needed ...
Flow blue vegetable server in the "Normandy" pattern produced by Staffordshire potter Johnson Brothers c. 1890. Most flow blue ware is a kind of transferware, where the decorative patterns were applied with a paper stencil to often white-glazed blanks, or standard pottery shapes, though some wares were hand painted. The stencils burned away in ...
Download QR code; Print/export Download as PDF; Printable version; In other projects ... British pottery company established 1794; Ridgway Dynamo & Engine Co, ...
Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in the early 19th century. It is often classed as earthenware [ 1 ] [ 2 ] although in appearance and properties it is similar to fine stoneware . [ 3 ]
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
However, the continuity of pottery styles may be explained by the fact that pottery was generally made by indigenous craftsmen even after the Indo-Aryan migration. [23] According to Chakrabarti (1968) and other scholars, the origins of the subsistence patterns (e.g. rice use) and most other characteristics of the Painted Grey Ware culture are ...