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Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
Frontispiece illustration of a bust of Lord Byron in the 1824 edition of Don Juan. (Benbow publisher) Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3]
Dom Juan ou le Festin de Pierre ("Don Juan or The Feast of Stone") is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. [1] The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently ...
Don Juan is the end of a period – problems about love and sex, cruelty and romanticism on an aesthetic level – and I wanted to finish that period with Brigitte because I started with her as a director (And God Created Woman). Underneath what people call "the Bardot myth" was something interesting, even though she was never considered the ...
The Shipwreck of Don Juan is an 1840 oil painting by the French artist Eugène Delacroix. [1] It depicts a scene from Lord Byron epic poem Don Juan. [2] Don Juan and others are adrift in the Mediterranean in a ship's boat following a shipwreck. It was exhibited at the Salon of 1841.
Don Juan is a musical written by Félix Gray in 2003. Don Juan was directed by Gilles Maheu and presented in Canada (mainly Quebec and Ottawa) in 2004 and in France in 2005 with a total of 600,000 viewers worldwide.
Don Juan, Op. 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. The work is based on Don Juans Ende , a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance -era Spain. [ 1 ]
The second, A Structural Analysis, is an attempt, Castaneda says, at "disclos[ing] the internal cohesion and the cogency of don Juan’s Teachings." [3] The 30th-anniversary edition, published by the University of California Press in 1998, contains commentary by Castaneda not present in the original edition.