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Gumball and Darwin realize that they don't know the name of their neighbor, the Antlers Guy. After trying and failing to know his name, they eventually learn that his name is Harry Gedges. Unfortunately, this turns out to be his "actual" name as the name he was under, Gary Hedges, was actually a cover name from the witness protection program.
The Amazing World of Gumball characters appear in the British-American animated sitcom The Amazing World of Gumball. The series revolves around the daily life of 12-year-old cat Gumball Watterson and his family—adoptive brother Darwin , sister Anais, and parents Nicole (née Senicourt) and Richard.
Fewer than 20 years later, in 1907, Adams Sons and Company upstaged the original gum machine with a machine that dispensed balls of gum, or, what we call them, gumballs.
Founded in 1934, the Ford Gum and Machine Company of Akron, New York was another early manufacturer of gum for gumball machines in the U.S. The Ford brand of gumball machines had a distinct shiny chrome color; sales of gum from Ford gumball machines went to local service organizations such as the Lions Club and Kiwanis International. [3]
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Stern Electronics was formed when Sam and Gary Stern bought the financially troubled Chicago Coin in 1977. Sam had previously owned the amusements manufacturer Williams, purchasing half of the company in 1947 and selling it to the Seeburg Corporation in 1964. Gary had trained under his father at Williams, and from 1973-1977 the two ran the company.
The season focuses on the misadventures of Gumball Watterson, a blue 12-year-old cat, along with his adopted brother, Darwin, a goldfish. Together, they cause mischief among their family, as well as with the wide array of students at Elmore Junior High, where they attend middle school.
Gary Hodges (born 1954) is a British artist and publisher much admired internationally for his graphite pencil wildlife art. [1] His original drawings and limited edition prints have sold widely in the UK and throughout the world and is collected by large numbers of ordinary citizens, many not previously seeing themselves as "art collectors".