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Metropolitan Museum of Art, New York. The sarrusophone was manufactured in the following sizes and had the following theoretical ranges: E-flat Sopranino B♭-G (Sounding D♭ 4-B♭ 6) B-flat Soprano B♭-G (Sounding A♭ 3-F 6) E-flat Alto G-G (Sounding B♭ 2-B♭ 5) B-flat Tenor B♭-G (Sounding A♭ 2-F 5) E-flat Baritone G-G (Sounding B ...
A. Laubin, Inc. is an American maker of oboes and English horns, formerly located in Peekskill, New York. The first Laubin oboe was made in 1931 by Alfred Laubin, a performing musician who was dissatisfied with the quality of instruments available at the time. The creation of oboes began as a home project, but soon Mr. Laubin was able to make ...
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
@curbalertnyc is New York’s second-largest stooping account, and it came to be via its anonymous founder’s passion for sustainability. “I used to see 'curb alert listings on Craigslist, but ...
The Yale Musical Instrument Series. New Haven, Connecticut and London: Yale University Press. ISBN 0-300-09317-9. Carse, Adam (1965). Musical Wind Instruments: A History of the Wind Instruments Used in European Orchestras and Wind-Bands from the Later Middle Ages up to the Present Time. New York: Da Capo Press. ISBN 0-306-80005-5.
Blues music came to New York in the early 1900s as a slower and rather sad form of music. The term blues comes from the phrase “I'm feeling blue,” as in sad or down in one way or another. Blues Came to New York and very quickly gained a feeling of Jazz and became a form of music that is a tad up-tempo in comparison to its slow rural relative.
Musical groups from Albany, New York (7 P) Pages in category "Musicians from Albany, New York" The following 29 pages are in this category, out of 29 total.
The new instrument is often referred to as the dulcian, and was called curtal in England, [12] fagott or fagotto in Germany and Italy, and bajón in Spain. [ citation needed ] The dulcian, like the first oboes, employed direct lip-to-reed contact, which allowed for much greater control over the sound than was offered by shawms.