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Raphael (UK: / ˈ r æ f eɪ ə l / RAF-ay-əl, US: / ˈ r æ f i ə l, ˈ r eɪ f-/ RA(Y)F-ee-əl; "God has healed") [a] is an archangel first mentioned in the Book of Tobit and in 1 Enoch, both estimated to date from between the 3rd and 2nd century BCE.
The painting shows Tobias and Sarah praying while the Angel Raphael binds the demon. This painting, which was restored in 1996 by rejoining Abraham Bredius's angel half with the marriage bed half formerly owned by the Jewish refugee Jacques Goudstikker, was the subject of a dispute about nazi plunder. [1]
The term archangel itself is not found in the Hebrew Bible or the Christian Old Testament, and in the Greek New Testament the term archangel only occurs in 1 Thessalonians 4 (1 Thessalonians 4:16) and the Epistle of Jude , where it is used of Michael, who in Daniel 10 (Daniel 10:12) is called 'one of the chief princes,' and 'the great prince'.
The Scapular of St. Michael the Archangel is a Roman Catholic devotional scapular associated with Saint Michael. Pope Pius IX gave to this scapular his blessing, but it was first formally approved under Pope Leo XIII who sanctioned the Archconfraternity of the Scapular of Saint Michael. [36] St. Michael defeating Satan by Carlo Crivelli, 15th ...
Titian, The Archangel Raphael and Tobias (c. 1512−1514). Tobias and the Angel is the traditional title of depictions in art of a passage from the Book of Tobit in which Tobias, son of Tobit, travels with the Archangel Raphael without realising he is an angel (5.5–6) and is then instructed by Raphael what to do with a giant fish he catches (6.2–9).
Antónia d'Astónaco was a Portuguese Carmelite nun who reported a private revelation by Saint Michael the Archangel in 1750. [ 2 ] Sometime in the 1750s, d'Astónaco said that the Archangel Michael had indicated in an apparition that he would like to be honored, and God glorified, by the praying of nine special invocations.
Above the organ is a Baroque tablet with a quote from the Book of Tobit: "When you prayed with tears, and buried the dead, and left your meal, I,[Raphael the Archangel] took your prayer to God".(Tobit, 5:12) [5] In the first chapel at the right is dedicated to Saint Catherine of Alexandria.
Rembrandt skilfully tells the story, focusing on the most important threads: Anna, still with the goat at hand, has just heard her husband's accusation, which she indignantly denies. Tobit is deep in prayer to God, asking for death. At his feet is a small dog, symbolizing Tobit's fidelity and trust in God's justice. Dutch map of Leyden, 1614
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