Search results
Results from the WOW.Com Content Network
Charulatha Mani is a leading Carnatic music vocalist and cine playback singer and with a huge fan following in India and abroad. Gifted with a rich, melodious voice, and amazing creativity she has a vast repertoire of compositions of various genres, and this has made her one of the most popular and renowned artistes of today.
Revati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). In Hindustani music a raga that closely resembles Revati is Bairagi Bhairav. [1]
A Southern Music: The Karnatik Story is a 2013 book authored by renowned musician T. M. Krishna. [1] [2] The book delineates the story of Carnatic music starting from its origins to its influence on socio-political strictures of the society. It also deals with the subject of gender, caste and class issues in the Carnatic music fraternity in ...
Layā is the tempo or speed of a song. Carnatic music does not define a fixed layā to songs, but traditionally some songs have been sung fast or slow and hence are categorised that way. Typical classification of layā includes Vilambitha (delayed or slow), Madhyama (medium) and Dhuritha (fast).
According to Muthuswami Dikshitar school of music, Khamas is a sampurna raga with no zig-zag notes (no vakra usage). [1] [2] Khamāj (खमाज) of Hindustani Music closely resembles Khamas raga. The Hindi film song ‘Tere Mere Milan Ki’ from the movie Abhimaan is based on Khamaj. [3]
Ragam Tanam Pallavi (RTP) [1] is a form of singing in Carnatic music which allows the musicians to improvise to a great extent. It is one of the most complete aspects of Indian classical music, demonstrating the entire gamut of talents and the depth of knowledge of the musician. It incorporates raga alapana, tanam, niraval, and kalpanaswara.
In Carnatic music, Neraval also known as Niraval or Sahitya Vinyasa is the elaboration and improvisation of melody for a particular line. Usually, just one or two lines of text from the song (from the anupallavi or charanam part of the kriti) are sung repeatedly, but with improvised elaborations. [1]
Multilingual playback singer Sadhana Sargam has recorded numerous private albums and songs. Below are her mainstream Hindi, Marathi, Tamil, Telugu, Kannada and Malayalam record lists. She has also released thousands of devotional Hindu albums including Gajanana, Aartiyan, Shri Sai Mantra, Shri Ram Mantra and Jai Ambe Maa to name a few. [1]