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Charulatha Mani is a leading Carnatic music vocalist and cine playback singer and with a huge fan following in India and abroad. Gifted with a rich, melodious voice, and amazing creativity she has a vast repertoire of compositions of various genres, and this has made her one of the most popular and renowned artistes of today.
Carnatic music (known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha.
Revati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). In Hindustani music a raga that closely resembles Revati is Bairagi Bhairav. [1]
Charukesi scale with Shadjam at C. It is the 2nd rāgam in the 5th chakra Bana.The mnemonic name is Bana-Sri.The mnemonic phrase is sa ri gu ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Varnam is a type of composition which is suited for vocal exercises of a wide variety of Carnatic music aspects, including slow and fast tempo of singing, both lyrics and swarams. It is the most complex of vocal exercises. In modern carnatic concerts, it is usually sung as a first song and is supposed to help warm-up.
In Carnatic music, Neraval also known as Niraval or Sahitya Vinyasa is the elaboration and improvisation of melody for a particular line. Usually, just one or two lines of text from the song (from the anupallavi or charanam part of the kriti ) are sung repeatedly, but with improvised elaborations. [ 1 ]
According to Muthuswami Dikshitar school of music, Khamas is a sampurna raga with no zig-zag notes (no vakra usage). [1] [2] Khamāj (खमाज) of Hindustani Music closely resembles Khamas raga. The Hindi film song ‘Tere Mere Milan Ki’ from the movie Abhimaan is based on Khamaj. [3]
Devagandhari (pronounced devagāndhāri) is a raga (musical scale) in Indian classical music. In carnatic classical music, Devagandhari is a janya raga (derived scale), whose melakarta raga (parent scale, also known as janaka) is Shankarabharanam, 29th in the 72 Melakarta raga system.