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[1] [2] [3] Only in the 16th century did the word "canon" begin to be used to describe the strict, imitative texture created by such a procedure. [2] The word is derived from the Greek "κανών", Latinised as canon, which means "law" or "norm". In contrapuntal usage, the word refers to the "rule" explaining the number of parts, places of ...
Dance is not just a static representation of history, not just a repository of meaning, but a producer of meaning each time it is produced—not just a living mirror of a culture, but a shaping part of culture, a power within the culture: "The power of dance rests in acts of performance by dancers and spectators alike, in the process of making ...
History of the Dance in Art and Education. Pearson Education. ISBN 0-13-389362-6. Dils, A. (2001). Moving History/Dancing Cultures: A Dance History Reader. Wesleyan University Press. ISBN 0-8195-6413-3. Wallace, Carol McD.; et al. (1986). Dance: a very social history. New York: The Metropolitan Museum of Art. ISBN 9780870994869. Wood, Melusine ...
Dance is an art form, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography , by its repertoire of movements or by its historical period or place of origin .
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with ...
For almost 30 years she maintained the Katherine Dunham Dance Company, the only self-supported American black dance troupe at that time. Over her long career, she choreographed more than ninety individual dances. [3] Dunham was an innovator in African-American modern dance as well as a leader in the field of dance anthropology, or ...
In minstrel shows, performers imitated slaves in crude caricatures, singing and dancing to what was called "Negro music", though it had little in common with authentic African American folk styles. An African American variety of dance music called the cakewalk also became popular, evolving into ragtime by the start of the 20th century.