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The active voice is the most commonly used in many languages and represents the "normal" case, in which the subject of the verb is the agent. In the active voice, the subject of the sentence performs the action or causes the happening denoted by the verb.
Most studies of prosody have been based on auditory analysis using auditory scales. Auditorily, the major prosodic variables are: pitch of the voice (varying between low and high) length of sounds (varying between short and long) loudness, or prominence (varying between soft and loud) timbre or phonatory quality (quality of sound)
Declarative sentences show a 2–3–1 pitch pattern. If the last syllable is prominent the final decline in pitch is a glide. For example, in This is fun, this is is at pitch 2, and fun starts at level 3 and glides down to level 1. But if the last prominent syllable is not the last syllable of the utterance, the pitch fall-off is a step.
In linguistics, sound symbolism is the perceptual similarity between speech sounds and concept meanings.It is a form of linguistic iconicity.For example, the English word ding may sound similar to the actual sound of a bell.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
For example, the feature [+voice] distinguishes the two bilabial plosives: [p] and [b] (i.e., it makes the two plosives distinct from one another). There are many different ways of defining and arranging features into feature systems: some deal with only one language while others are developed to apply to all languages. [1]
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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...