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The feminist movement produced feminist fiction, feminist non-fiction, and feminist poetry, which created new interest in women's writing. It also prompted a general reevaluation of women's historical and academic contributions in response to the belief that women's lives and contributions have been underrepresented as areas of scholarly ...
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
The title of the essay comes from Woolf's conception that "a woman must have money and a room of her own if she is to write fiction". [2] The narrator of the work is referred to early on: "Here then was I (call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please—it is not a matter of any importance)". [9]
Gubar joined the faculty of Indiana University in 1973, at a time when there were three female professors among the 70 in its English department. [1]Gubar and Gilbert edited the Norton Anthology of Literature by Women: The Traditions in English, published in 1985 (ISBN 0393019403); its publication resulted in both of them being included among Ms. ' s women of the year in 1986.
Hélène Cixous first coined écriture féminine in her essay "The Laugh of the Medusa" (1975), where she asserts "woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies" because their sexual pleasure has been repressed and denied expression.
Scars Upon My Heart is recognized as a pioneering presentation of women's literary expression during the First World War, giving voice to women's experiences, thoughts, and emotions. [1] [2] In the words of Jennifer Kilgore-Caradec, the book 'largely contributed to the current reevaluation of poetry written by women during World War I'. [3]
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Endorsing Women's Enfranchisement, Adelle Hazlett (1871) [79] Hit: Essays on Women's Rights, Mary Edwards Walker (1871) "Letters to and from Polly Plum", Polly Plum (pen name of Mary Ann Colclough) (1871) [80] On the Progress of Education and Industrial Avocations for Women, Matilda Joslyn Gage (1871) [81]