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Raku ware (楽焼, raku-yaki) is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln ...
Interior of an At Home in Rapid City, South Dakota. At Home was founded in 1979 in Schertz, Texas, as Garden Ridge Pottery and was later renamed to Garden Ridge. Investment firm Three Cities Research became the largest shareholder of Garden Ridge in 1999. Garden Ridge filed for Chapter 11 bankruptcy protection in 2004. After the reorganization ...
Paul Edmund Soldner (April 24, 1921 – January 3, 2011) was an American ceramic artist and educator, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku. [1] He was the founder of the Anderson Ranch Arts Center in 1966. [2]
Emily Haynes' colorful wheel-thrown, hand-painted ceramics reflects Southern California surf style and Midcentury Modern design.
Tea bowl, known as Suchiro, studio of Chōjirō. Tanaka Chōjirō (長次郎) (1516-?1592) is distinguished as the first generation in the Raku family line of potters. . According to historical documents he was the son of one Ameya, who is said to have emigrated to Japan from Korea (or possibly Ming China, as asserted on the RAKU WARE website (link below) of the still active line of potters h
Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.
The pottery style draws its name from the location where it is produced. [ 2 ] The techniques used in creating Karatsu ware are believed to have been imported from the Korean peninsula during the Japanese invasions of Korea during the late 16th century, [ 3 ] [ 2 ] [ 4 ] though some theories suggest the techniques may have been in use prior to ...
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