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A recessional hymn or closing hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church, the Seventh-day Adventist Church, and Anglican Church, an equivalent to the concluding voluntary, which is called a Recessional Voluntary, for example a Wedding Recessional.
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
The normal memorial service is a greatly abbreviated form of Matins, but the Requiem contains all of the psalms, readings, and hymns normally found in the All-Night Vigil (which combines the Canonical Hours of Vespers, Matins and First Hour), providing a complete set of propers for the departed. The full requiem will last around three-and-a ...
Herbert Howells composed 20 settings of this pair of canticles, including the Gloucester Service (1947) and the St Paul's Service (1951). A setting of the Nunc dimittis by Charles Villiers Stanford was sung as the recessional at the funeral of Margaret Thatcher. [12] Stanford wrote many settings of both the Magnificat and Nunc dimittis. [13]
Compositions created specially for funeral use or as a memorial to a deceased person or persons. Settings of the requiem mass can be found in that subcategory.
The faithful respond: "Thanks be to God." The priest and other ministers then venerate the altar with a kiss, form a procession, and exit the sanctuary, preferably to a recessional hymn or chant from the Graduale, sung by all. Some practices will include a Marian antiphon (e.g. Angelus, Hail Mary etc) before the recessional hymn. [citation needed]
In Paradisum served as the inspiration for popular Protestant jazz piece "When the Saints Go Marching In", which share the same first four notes, similar textual meaning, and use during the funeral procession of the body from the church to the cemetery in Black Protestant churches.
This hymn was soon to be found in various forms in many Catholic devotional books, and a Latin translation, "Salve Regina coelitum", [16] was soon created. The modern melody first appeared in the 1736 hymnal Geistliche Spiel- und Weckuhr , and Melchior Ludwig Herold's 1808 hymnal Choralmelodien zum Heiligen Gesänge contained the version that ...