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Door of Return (previously the Door of No Return) at Cape Coast Castle, Ghana. The Door of Return is an emblem of African Renaissance and is a pan-African initiative that seeks to launch a new era of cooperation between Africa and its diaspora in the 21st century. [1] The name is a reference to the "Door of No Return", a monument commemorating ...
Visa is also not required for holders of a Dual Nationality Card issued by Ghana. Pre-arranged visa may be picked up on arrival. [1]Holders of diplomatic, official, or service passports issued to nationals of Brazil, China, Cuba, Equatorial Guinea, Germany, India, Iran, Malta, Namibia, South Africa, United Arab Emirates, Venezuela and holders of diplomatic passports issued to nationals of ...
The title of the episode, "Door of No Return", is a reference to the symbolic door that millions of Africans were pushed through when they entered a life of slavery through castles like this. [16] [17] Elmina Castle also featured prominently in the 2015 Danish film Guldkysten (Gold Coast). [18]
A Ghanaian passport. Visa requirements for Ghanaian citizens are administrative entry restrictions by the authorities of other states placed on citizens of Ghana.As of 15 December 2024, Ghanaian citizens had visa-free or visa on arrival access to 68 countries and territories, ranking the Ghanaian passport 74th in terms of travel freedom (tied with passports from Cape Verde, Benin, and Armenia ...
English: The "Door of no return" through which the slaves left the castle when they were shipped away. It was not possible for any of them to ever return to their homeland. In July 2009, at his first official visit to sub-Saharan Africa President Obama visited the castle and symbolically passed through this door and then back to the caste.
Since “The Year of Return, Ghana 2019,” it seems we haven’t stopped returning to the motherland. In my circle of The post The Career of Return: What is it like to work abroad in Ghana ...
Created Date: 8/30/2012 4:52:52 PM
What is now the House of Slaves, depicted in this French 1839 print as the House of signare Anna Colas at Gorée, painted by d'Hastrel de Rivedoux. A wall in the Museum: a mural depicting slaves being herded in the African bush by Europeans, a photo of Joseph Ndiaye with Pope John Paul II, a certificate from a US travel agency, and an aphorism – one of many that cover the walls – by Ndiaye.