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In the first quatrain of the sonnet, the speaker pledges himself to the mistress, while he humbly refers to himself as "I that vex thee." It can be roughly paraphrased as: You have me, and me, and me again.
What a piece of work is a man!" is a phrase within a monologue by Prince Hamlet in William Shakespeare's play Hamlet. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition. The speech is recited at the end of the film Withnail and I and the text was set to music by Galt MacDermot for the rock opera Hair
Sonnet 30 starts with Shakespeare mulling over his past failings and sufferings, including his dead friends and that he feels that he hasn't done anything useful. But in the final couplet Shakespeare comments on how thinking about his friend helps him to recover all of the things that he's lost, and it allows him stop mourning over all that has happened in the past.
Loosely based on William Shakespeare’s comedy Much Ado About Nothing, Anyone But You is chock-full of references to its source material that could be easily overlooked by the casual viewer.
Other versions of the material, such as John Lydgate's "Troy Book" and Caxton's "Recuyel of the History of Troy", were at the time of Shakespeare in England in circulation and probably known to him. [16] [17] The story was a popular one for dramatists in the early 17th century and Shakespeare may have been inspired by contemporary plays.
As William Shakespeare famously said, “This above all: to thine own self be true.” And, it can also be said, be true and loyal to those nearest and dearest to you.
Beatrice is a fictional character in William Shakespeare's play Much Ado About Nothing.In the play, she is the niece of Leonato and the cousin of Hero.Atypically for romantic heroines of the sixteenth century, she is feisty and sharp-witted; these characteristics have led some scholars to label Beatrice a protofeminist character.
Harold Bloom, however, wrote that it "reveals Shakespeare's magnificence at the art of comedy", [3] and praised the work as showing "such skill, indeed mastery – in action, incipient character, and stagecraft – that it far outshines the three Henry VI plays and the rather lame comedy The Two Gentlemen of Verona". [4]