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The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
Two Figures (1953) (CR 53–24) is an oil painting by Francis Bacon, sometimes known as Two Figures on a Bed (or, affectionately, "The Buggers"). It measures 152.5 cm × 116.5 cm (60.0 in × 45.9 in), and is in a private collection. The painting depicts two naked men grappling with each other on a disarrayed bed.
William Francis Burton (1 January 1907 in North Walsham, Norfolk – 21 October 1995 in Colchester, Essex) was a prolific English marine and landscape artist, who painted in oils. [ 1 ] [ 2 ] He drew inspiration for his work largely from his rural Norfolk upbringing and his adopted home county of Essex.
Black Woman with Peonies by Frédéric Bazille (1870) located at the National Gallery of Art, Washington, D.C.. Black Woman with Peonies also known as Négresse aux pivoines, Young Woman with Peonies, or Negress with Peonies, is a pair of paintings created by the French Impressionist painter Frédéric Bazille in the spring of 1870.
Paintings of black people (2 C, 59 P) S. ... Our Lady of Ferguson; P. Past Times (painting) ... World Festival of Black Arts; Y. Yo Mama's Last Supper
William T. Williams (born 1942) is an American painter and educator. He is recognized as one of the "foremost abstract painters" of the past century. [1] His work has been exhibited in more than 100 exhibitions in the United States, France, Germany, Ivory Coast, Japan, Nigeria, People's Republic of China, Russia, and Venezuela.
Watch Meeting—Dec. 31st 1862—Waiting for the Hour is an 1863 painting by the US artist William Tolman Carlton. The location of the original painting is not known, but a different version, possibly a study, is displayed in the Lincoln Bedroom at the White House. Watch meetings originated as nighttime religious services of the Methodist Church.