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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
The Congklak Gameboard from Indonesia c. 1900. Southeast Asian mancalas are a subtype of mancala games predominantly found in Southeast Asia. They are known as congkak in Malaysia; congklak (VOS Spelling: tjongklak), congkak, congka, and dakon in Indonesia and Brunei; and sungkâ in the Philippines. They differ from other mancala games in that ...
For example, sixteenth notes in 4 4 are counted 1 e & a 2 e & a 3 e & a 4 e & a, using numbers for the quarter note, "&" for the eighth note, and "e" and "a" for the sixteenth note level. Triplets may be counted "1 tri ple 2 tri ple 3 tri ple 4 tri ple" and sixteenth note triplets "1 la li + la li 2 la li + la li". [3]
In music, a double whole note (American), breve (British) or double note [1] [2] lasts two times as long as a whole note (or semibreve). It is the second-longest note value still in use in modern music notation. [2] The next longest notated note is the longa, which is double the length of the breve.
[2] The term a prima vista is also used, as Italian words and phrases are commonly used in music and music notation. To play a musical piece a prima vista means to play it 'at first sight'. According to Payne, "the ability to hear the notes on the page is clearly akin to music reading and should be considered a prerequisite for effective ...
Carnatic music terms are briefly described in this page. Major terms have their own separate article pages, while minor terms are defined / described here. The order of terms is from basic to related terms, rather than alphabetic.
Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ Branford Marsalis notes how Berklee music theory may be an inadequate description of traditional jazz as well having a tendency toward prescriptivism: "Berklee has its own system of doing things, the Berklee way, the Berklee method. They basically say ...
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.