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Reality Sandwiches is a book of poetry by Allen Ginsberg published by City Lights Publishers in 1963. The title comes from one of the included poems, "On Burroughs' Work": "A naked lunch is natural to us,/we eat reality sandwiches." The book is dedicated to friend and fellow Beat poet Gregory Corso. Despite Ginsberg's feeling that this ...
The poem consists of four stanzas of five lines each. With the rhyme scheme as ABAAB, the first line rhymes with the third and fourth, and the second line rhymes with the fifth. The meter is iambic tetrameter, with each line having four two-syllable feet, though in almost every line, in different positions, an iamb is replaced with an anapest. [5]
The poem was first performed at the Six Gallery in San Francisco on October 7, 1955. [14] Ginsberg had not originally intended the poem for performance. The reading was conceived by Wally Hedrick—a painter and co-founder of the Six—who approached Ginsberg in mid-1955 and asked him to organize a poetry reading at the Six Gallery.
The poem is the base for the motto of Wynberg Allen School in Mussorie, India. It is also the name and motto for the Brampton, Ontario, Canada box lacrosse teams. In 1871 Mr. George Lee, a Brampton High School teacher introduced lacrosse to the town. He proposed the name "Excelsior", which he took from Longfellow's poem.
Errantry" is a three-page poem by J.R.R. Tolkien, first published in The Oxford Magazine in 1933. [T 1] It was included in revised and extended form in Tolkien's 1962 collection of short poems, The Adventures of Tom Bombadil. Donald Swann set the poem to music in his 1967 song cycle, The Road Goes Ever On.
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
The poem displays formal elements, but is not subject to one formal trope. The feet in the poem are mostly iambic, but the meter varies. There is not a defined rhyme scheme, but there are rhyming couplets appearing throughout. This homage, but not direct deference to, formality, plays off the poem's relation to (and subversion of) normal poetic ...
Choliambic verse (Ancient Greek: χωλίαμβος), also known as limping iambs or scazons or halting iambic, [1] is a form of meter in poetry. It is found in both Greek and Latin poetry in the classical period.