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T. S. Eliot in 1934. Burnt Norton is the first poem of T. S. Eliot's Four Quartets. He created it while working on his play Murder in the Cathedral, and it was first published in his Collected Poems 1909–1935 (1936). The poem's title refers to the manor house Eliot visited with Emily Hale in the Cotswolds. The manor's garden serves as an ...
Four Quartets is a set of four poems written by T. S. Eliot that were published over a six-year period. The first poem, Burnt Norton, was published with a collection of his early works (1936's Collected Poems 1909–1935).
The idea of the Harvard Classics was presented in speeches by then President Charles W. Eliot of Harvard University. [1] Several years prior to 1909, Eliot gave a speech in which he remarked that a three-foot shelf would be sufficient to hold enough books to give a liberal education to anyone who would read them with devotion.
The literary critic Anthony Julius, who has analysed the presence of anti-Semitic rhetoric in Eliot's work, [32] [33] has cited "Gerontion" as an example of a poem by Eliot that contains anti-Semitic sentiments. In the voice of the poem's elderly narrator, the poem contains the line, "And the Jew squats on the window sill, the owner [of my ...
The poet does not reveal their own unique and novel emotions, but rather, by drawing on ordinary ones and channelling them through the intensity of poetry, they express feelings that surpass, altogether, experienced emotion. This is what Eliot intends when he discusses poetry as an "escape from emotion."
Charles Eliot Norton (November 16, 1827 – October 21, 1908) was an American author, social critic, and Harvard professor of art based in New England. He was a progressive social reformer and a liberal activist whom many of his contemporaries considered the most cultivated man in the United States. [ 1 ]
It is in two parts. The first part is an essay by American-born British poet T. S. Eliot (1888–1965), in which he discusses the nature and stature of British poet Rudyard Kipling (1865–1936). The second part consists of Eliot's selection from Kipling's poems. A Choice of Kipling's Verse was republished in 1963. [1]
The evaluation of Eliot's criticism occurred relatively early; for example, an appraisal of his work focusing exclusively on Eliot the critic (as opposed to Eliot the poet) appeared in 1941 in a book by John Crowe Ransom. Ransom, participating in the New Critical tradition of borrowing from Eliot, writes that