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In 1929, Yong Mun Sen was the vice president of Singapore Society of Chinese Artists (SOCA). [3]He also proposed to establish a fine arts school, now known as Nanyang Academy of Fine Arts (NAFA).
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
The most widespread translation used by Indonesian speakers right now is the Terjemahan Baru, or "New Translation" (1974), published by LAI ("Lembaga Alkitab Indonesia," or Indonesian Bible Society). List of modern (1945 onward) translations: Alkitab Terjemahan Lama (1958): called the Old Translation after the New Translation (1974) came out.
In a Tropical Forest Combat of a Tiger and a Buffalo (1908–1909), by Henri Rousseau. In the arts of the Western world, Primitivism is a mode of aesthetic idealization that means to recreate the experience of the primitive time, place, and person, either by emulation or by re-creation.
The Disquieting Muses by Giorgio de Chirico, 1947. Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà.
Tambun rock art, is a series of Neolithic-era cave paintings at the Gunung Panjang limestone hill in Tambun, on the outskirts of Ipoh, Perak, Malaysia.The paintings were discovered on a rocky overhang in 1959 [1] by 2/Lt R. L. Rawlings of the 2nd Battalion, 6th Queen Elizabeth's Own Gurkha Rifles.
The Bible [a] is a collection of religious texts and scriptures that are held to be sacred in Christianity, and partly in Judaism, Samaritanism, Islam, the BaháΚΌí Faith, and other Abrahamic religions.
Wisdom of the East, fresco mural in Jefferson Hall, East-West Center, Honolulu, by Affandi, 1967. Affandi (18 May 1907 – 23 May 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta.