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Bucket and cone refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia, and within the context of Ancient Mesopotamian religion. The iconography is particularly frequent in art from the Neo-Assyrian Empire (911–605 BCE ) , and especially Assyrian palace reliefs from this period.
The wood is the most used for carvings in Val Gardena since the 17th century. The cone of the Swiss pine was the field sign of the Roman legion stationed in Rhaetia in 15 BC, and hence it is used as the heraldic charge (known as Zirbelnuss in German) in the coat of arms of the city of Augsburg, the site of the Roman fort Augusta Vindelicorum.
There is another fountain known as Fontana della Pigna in Rimini, Italy, also of Ancient Roman origin but heavily restored.The pine cone sculpture crowning this fountain was only installed in 1807, replacing a 16th-century statue of St. Paul damaged by the Napoleonic army.
An Eagle headed protective spirit holding a bucket and cone. A four-winged genie in the Bucket and cone motif. Relief from the north wall of the Palace of king Sargon II at Dur Sharrukin, 713–716 BC. Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture.
Here he is told that God gave the Garden of Eden to man "in earnest, or as a pledge of eternal life," but man was only able to dwell there for a short time because he soon fell from grace. In the poem, the Garden of Eden is both human and divine: while it is located on earth at the top of Mt. Purgatory, it also serves as the gateway to the heavens.
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The Appeal to Heaven flag, or “Pine Tree” flag, features a green pine tree on a white field, with the words “An Appeal to Heaven” in black text above it.
Pinus mugo is widely cultivated as an ornamental plant, for use as a small tree or shrub, planted in gardens and in larger pots and planters. It is also used in Japanese garden style landscapes, and for larger bonsai specimens. In Kosovo, its trunk is used as construction material for the vernacular architecture in the mountains called "Bosonica".