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Traditional silhouette animation as invented by Reiniger is subdivision of cutout animation (itself one of the many forms of stop motion).It utilizes figures cut out of paperboard, sometimes reinforced with thin metal sheets, and tied together at their joints with thread or wire (usually substituted by plastic or metal paper fasteners in contemporary productions) which are then moved frame-by ...
The work of the brothers has included silhouette, stop motion, and puppet techniques. [1] They made cartoons, "cultural films", and advertisement films as well as television shows. [2] [3] Hermann Diehl designed and carved puppets for the enterprise. [4] Their studio was in the Gräfelfing neighborhood. [citation needed]
The technique of most cutout animation is comparable to that of shadow play, but with stop motion replacing the manual or mechanical manipulation of flat puppets. Some films, including Die Abenteuer des Prinzen Achmed , also have much of their silhouette style in common with shadow plays.
Rotoscoping in the digital domain is often aided by motion-tracking and onion-skinning software. Rotoscoping is often used in the preparation of garbage mattes for other matte-pulling processes. Rotoscoping has also been used to create a special visual effect (such as a glow, for example) that is guided by the matte or rotoscoped line.
Lotte Reiniger was born in the Charlottenburg district of Berlin on 2 June 1899 to Carl Reiniger and Eleonore Lina Wilhelmine Rakette. [4] Here, she studied at Charlottenburger Waldschule, the first open-air school, where she learned the art of scherenschnitte, the German art of silhouette, inspired by the ancient Chinese art of paper cutting and silhouette puppetry. [5]
Their work fuses classic cartoon sensibilities with mixed-media elements such as puppetry and miniature model photography. [citation needed] They were among the first stop motion artists to adopt an entirely digital capture system and workflow, [citation needed] beginning in 1999 with the pilot films that would eventually become Robot Chicken.
founder of stop motion studio Cuppa Coffee Animation: Adam Jones: 1965 United States: Sober (1992) 1992–present puppets guitarist for Tool, responsible for their stop motion music videos Corky Quakenbush: United States: MADtv (1995-1997) 1995–present Eric Fogel: 1969 United States: Celebrity Deathmatch (1998-2002) 1997–present clay
Most of these films (of which only four survive) were made using cutout, silhouette or stop-motion techniques. Among the lost animated features were three features by Quirino Cristiani, who premiered his third feature Peludópolis on 18 September 1931 in Buenos Aires [41] with a Vitaphone sound-on-disc synchronized soundtrack. It was received ...
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