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Micromosaic brooch set in black glass, c. 1875, of the Pantheon Byzantine mosaic icon, 45 cm high, 13th century.. Micromosaics (or micro mosaics, micro-mosaics) are a special form of mosaic that uses unusually small mosaic pieces of glass, or in later Italian pieces an enamel-like material, to make small figurative images. [1]
Like other mosaics, Byzantine mosaics are made of small pieces of glass, stone, ceramic, or other material, which are called tesserae. [18] During the Byzantine period, craftsmen expanded the materials that could be turned into tesserae, beginning to include gold leaf and precious stones, and perfected their construction.
Wattle and daub in wooden frames. Wattle and daub is a composite building method used for making walls and buildings, in which a woven lattice of wooden strips called "wattle" is "daubed" with a sticky material usually made of some combination of wet soil, clay, sand, and straw. Wattle and daub has been used for at least 6,000 years and is ...
A striking technical innovation of the Komnenian period was the production of very precious, miniature mosaic icons. In these icons the small tesserae (with sides of 1 mm or less) were set on wax or resin on a wooden panel. These products of extraordinary craftmanship were intended for private devotion.
The portrait miniature is the most common form in recent centuries, and from ancient times, engraved gems, often used as impression seals, and cylinder seals in various materials were very important. For example most surviving examples of figurative art from the Indus Valley civilization and in Minoan art are very small seals.
Basilica of San Vitale, Ravenna, 548. Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories.
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The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature in Turkey, and the Mughal miniature in the Indian sub-continent. Persian art under Islam had never completely forbidden the human figure , and in the miniature tradition the depiction of figures, often in large numbers, is ...
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