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Paula Vogel (born November 16, 1951) is an American playwright. She is known for her provocative explorations of complex social and political issues. Much of her work delves into themes of psychological trauma, abuse, and the complexities of human relationships. She has received the Pulitzer Prize as well as nominations for two Tony Awards.
How I Learned to Drive is a play written by American playwright Paula Vogel. The play premiered on March 16, 1997, Off-Broadway at the Vineyard Theatre. Vogel received the 1998 Pulitzer Prize for Drama for the work. It was written and developed at the Perseverance Theatre in Juneau, Alaska, with Molly Smith as artistic director.
Hot 'N' Throbbing is a 1994 one-act play written by Pulitzer Prize-winning playwright and Yale University professor Paula Vogel. The play is a confrontational statement on the intersection of pornography and domestic violence. It features adult language, mild violence, and full frontal male nudity.
Indecent is a 2015 American play by Paula Vogel.It recounts the controversy surrounding the play God of Vengeance by Sholem Asch, which was produced on Broadway in 1923, and for which the producer and cast were arrested and convicted on the grounds of obscenity.
The play was Vogel's response to the 1988 death of her brother Carl, who died from complications due to AIDS before they were able to enjoy a long planned European vacation. [3] [4] Vogel wrote the play during summer 1989 at the MacDowell Colony, New Hampshire. The play is dedicated To the memory of Carl - because I cannot sew.
Mother Play – A Play in Five Evictions is a dramatic stage play written by American playwright Paula Vogel. The play debuted on Broadway at the Hayes Theater on April 25, 2024 as part of Second Stage Theater 's 2023–2024 season starring Jessica Lange , Celia Keenan-Bolger , and Jim Parsons .
The Long Christmas Ride Home is a one-act play written by Paula Vogel. [1] [2] It dramatises a road trip by two parents and their three young children to visit grandparents for Christmas dinner, and the emotional turmoil that they undergo. A significant element of the production schema is a Western contemporary employment of bunraku.
The second story flashes forward to the town of Homer in the 1970s, towards the end of the Vietnam War.There, a closeted gay high school French teacher, Mr. Roberts (Steven Weber), has a student named Toby Anderson (Jonathan Taylor Thomas), who is on the verge of coming out of the closet, and who he suspects wishes to confide in him.
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