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Title Director Cast Genre Notes Lúdas Matyi: Kálmán Nádasdy: Imre Soós, György Solthy, Erzsi Pártos, Teri Horváth: The first Hungarian film in color, Best male actor, Karlovy Vary Film Festival 1950
Magyar rekviem: Károly Makk: György Cserhalmi: Drama: Halálutak és angyalok: Zoltán Kamondi: Enikő Eszenyi: Drama: Screened at the 1991 Cannes Film Festival: A hetedik testvér: Jenő Koltai, Tibor Hernádi: Csongor Szalay (voice), Balázs Simonyi (voice), Álmos Elõd (voice) Animated fantasy-comedy-drama: Szerelmes szívek: György ...
This is a list collecting the most notable films produced in Hungary and in the Hungarian language during 1901–1948.. While the first years of the Hungarian cinema were in its infancy with mostly experimental films and short comedic sketches mostly conducted by enterprising hobbyists, by 1940 a large industry grew out of their footsteps, with famed film star idols and film studios.
An extranet is a controlled private computer network that allows communication with business partners, vendors and suppliers or an authorized set of customers. It extends intranet to trusted outsiders. It provides access to needed services for authorized parties, without granting access to an organization's entire network.
Another Way (Hungarian: Egymásra nézve), is a 1982 Hungarian film directed by Károly Makk about an affair between two women. It is based on a semi-autobiographical novella Another Love (Törvényen belül) by Erzsébet Galgóczi (1930–1989), who co-wrote the screenplay with Makk.
Schematic depicting an intranet. An intranet is a computer network for sharing information, easier communication, collaboration tools, operational systems, and other computing services within an organization, usually to the exclusion of access by outsiders. [1]
This article lists internationally distributed films that: . were shot on location in the city of Budapest, capital of Hungary; use the city of Budapest as a set to portray other cities
Around this time Koltai decided to make the move to the United States, a dramatic departure for any European filmmaker, let alone cinematographer, though clearly many opportunities lied in the Hollywood playing field.