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The banjo ukulele, also known as the banjolele or banjo uke, is a four-stringed musical instrument with a small banjo-type body and a fretted ukulele neck. The earliest known banjoleles were built by John A. Bolander [ 1 ] and by Alvin D. Keech, [ 2 ] both in 1917.
4. “The Boy Is Mine” by Brandy and Monica. Notable lyrics: "When will you get the picture.You're the past, I'm the future. Get away, it's my time to shine. If you didn't know, the boy is mine."
Ukulele varieties include hybrid instruments such as the guitalele (also called guitarlele), banjo ukulele (also called banjolele), harp ukulele, lap steel ukulele, and the ukelin. It is very common to find ukuleles mixed with other stringed instruments because of the number of strings and the easy playing ability.
Hall performed on a variety of stringed instruments, including the standard ukulele, the taropatch ukulele, banjo, and the hybrid banjolele, as well as the 10-string Martin-style tiple. Like so many of the other performers during the era, Hall was a big fan of the instruments created by the C.F. Martin & Company, particularly their Taropatch ...
He performs on the banjo, violin, guitar and banjo-ukulele (which he calls a "banjolele"). [2] Bemis lives a minimalist lifestyle, and is known for his engaging live shows throughout the United States. He tours primarily by train, public transportation, and hitchhiking. [3] [4] [5] [6]
Tom Hanks’ surprise appearance at “SNL50” sparked Republican backlash on social media, but some outspoken Democrats such as “The View” co-host Joy Behar understand the outrage. Hanks ...
The tune is quoted, along with other student songs, in the overture of Franz von Suppé's 1863 operetta Flotte Burschen, the action being once again set at the University of Heidelberg. [ 8 ] Based on the original melody, Franz Liszt composed the Gaudeamus igitur—Paraphrase and later (1870) the Gaudeamus igitur—Humoreske. [ 9 ]
Songs for Beginners is the debut solo studio album by English singer-songwriter Graham Nash.Released in May 1971, it was one of four high-profile albums (all charting within the top fifteen) released by each member of Crosby, Stills, Nash & Young in the wake of their chart-topping Déjà Vu album of 1970, along with After the Gold Rush (Neil Young, September 1970), Stephen Stills (Stephen ...
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