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Bathers at Asnières (French: Une Baignade, Asnières) is an 1884 oil on canvas painting by French artist Georges Pierre Seurat, the first of his two masterpieces on the monumental scale. The canvas is of a suburban, placid Parisian riverside scene.
Boy with Horse near Asnières [61] Scottish National Gallery, Edinburgh 094 15.9 × 25 More images: 1883 Figure on the banks of the Seine and bathers [61] Musée d’Orsay, Paris 095 15.5 × 25 More images: 1883 Bathers sitting on the Beach of the Seine [64] Nelson-Atkins Museum of Art, Kansas City, Missouri 096 17.5 × 26.4 More images: 1883
Bathers at Asnières, 1884, oil on canvas, 201 × 301 cm, National Gallery, London. He spent 1883 working on his first major painting – a large canvas titled Bathers at Asnières, [16] a monumental work showing young men relaxing by the Seine in a working-class suburb of Paris. [17]
Art UK artwork ID: bathers-at-asnieres-114362 ; 1000 obrazů, které musíte vidět, p. 82 ; 1001 Paintings You Must See Before You Die, p. 500 ; Source/Photographer:
The Bathers", or in French "Les Baigneuses", can refer to the following artworks: Bathers at Asnières , a painting by Georges Seurat in 1883 Les Grandes Baigneuses (Renoir) , by Pierre-Auguste Renoir in 1887
By 1884, with the exhibition of his first major work, Bathers at Asnières, as well as croquetons of the island of Île de la Jatte, his style began taking form with an awareness of Impressionism, but it was not until he finished La Grande Jatte in 1886 that he established his theory of chromoluminarism.
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Georges-Pierre Seurat, Bathers at Asnières (1884). Vincent van Gogh, Sunflowers (1888). Titian, Diana and Actaeon (1556), jointly with the National Gallery of Scotland. Hans Holbein the Younger, The Ambassadors (1533). Leonardo da Vinci – The Virgin of the Rocks (1495–1508). Michelangelo, The Entombment (1500–1501).
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