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"Don't Knock My Love" is a hit song performed by R&B singer Wilson Pickett and written by Pickett with Brad Shapiro. Released in the spring of 1971 from the album of the same title, it spent a week at number-one on the Billboard Best Selling Soul Singles Chart and peaked at #13 on the Billboard Hot 100 Singles Chart. [ 3 ]
Wilson Pickett (March 18, 1941 – January 19, 2006) was an American singer and songwriter.. A major figure in the development of soul music, Pickett recorded more than 50 songs that made the US R&B charts, many of which crossed over to the Billboard Hot 100.
The lyrics for the song tell of the narrator meeting a "devil woman" who gives him love. The chorus of the song includes the song's famous stutter, and speaks of her looking at him with big brown eyes and saying, "You ain't seen nothin' yet. B-b-b-baby, you just ain't seen na-na-nothin' yet. Here's somethin' that you're never gonna forget.
The Miracles also performed the song on June 23, 1973, and a repeat performance on a September 28, 1974 telecast of Don Cornelius's "Soul Train". [ 2 ] [ 3 ] [ 4 ] Radio began playing the uptempo single, when it was withdrawn, and replaced with a ballad "Don't Let It End ('Til You Let It Begin)".
"It Ain't Nothin'" is a song written by Tony Haselden, the long-time guitarist with the band Louisiana's LeRoux, and recorded by American country music artist Keith Whitley. It was posthumously released in October 1989 as the second single from the album I Wonder Do You Think of Me .
"Ain't That Lovin' You, Baby" is an upbeat blues song, written and recorded by Jimmy Reed. [2] The single reached number eight in the US Billboard R&B chart in late March 1956. [ 3 ] Backing Reed (guitar, harmonica, and vocal) are Eddie Taylor (guitar), Vernel Fournier (drums), and an unknown guitarist.
It totally tickled Sam on both levels. "I said, my God, it's so true. You ain't nothing but a hound dog. You ain't met your responsibilities. You didn't go to work like you [should]." And it gave him an immediate idea for a follow-up – from the man's point of view ... "Bear Cat", "[i]n the time-honored tradition of answer songs, was a virtual ...
I've trodden the boards of many stages and kicked up many a diamante heel! The songs I have chosen all feel very personal and connected to my life. I hope they will do the same for my fans." [1] "Look But Don’t Touch" and the title track "I Owe It All to You" are the album's original compositions.
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