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STPI is a not-for-profit organisation established with the support of the Ministry of Information, Communication and the Arts (presently known as the Ministry of Culture, Community and Youth – MCCY), Singapore Tourism Board, and Singapore Totalisator Board, [3] in line with the government’s Renaissance City Plan to position the nation as the prime arts hub of Southeast Asia.
Micro Center is a subsidiary of Micro Electronics, Inc., a privately held corporation headquartered in Hilliard, Ohio. [17]Stores are sized up to 60,000 sq ft (5,600 m 2), stocking about 36,000 products across 700 categories, including major name brands and Micro Center's own brands. [18]
The term key art was defined by The Hollywood Reporter (who awarded the annual Key Art Awards, founded in 1972) as “the singular, iconographic image that is the foundation upon which a movie’s marketing campaign is built.” [4] Nicole Purcell, the president of Clio (who incorporated the Key Art Awards into their own awards in 2011), explained that key art was historically understood to be ...
The stores pulled in large crowds, [3] and once they proved profitable, Tandy decided to expand quickly, opening an additional 15 stores through 1996. In the mid-1990s, Incredible Universe was a sponsor of the Dallas Mavericks , Dallas Sidekicks , Dallas Stars , Sacramento Kings , and Texas Rangers professional sports franchises.
On the title page of the magazine Computers and Automation, January 1963, Edmund Berkeley published a picture by Efraim Arazi from 1962, coining for it the term "computer art." This picture inspired him to initiate the first Computer Art Contest in 1963. The annual contest was a key point in the development of computer art up to the year 1973 ...
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In 2019, the artist was commissioned to fill a wing of the Art Science Museum for their Floating Utopias exhibition. [9] In 2016 Ng was commissioned by the Fondation d'enterprise Hermes to inaugurate their Singapore flagship's art gallery with a solo installation, How to Disappear into a Rainbow as the store reopened in Liat Towers, Singapore.
Catherine Mason, A Computer in the Art Room: The origins of British computer art 1950–1980. JJG Publishing, 2008. ISBN 978-1-899163-89-2. Paul Brown, Charlie Gere, Nicholas Lambert, and Catherine Mason (editors), White Heat Cold Logic: British Computer Art 1960–1980. The MIT Press, Leonardo Book Series, 2008. ISBN 978-0-262-02653-6.