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As a result, different voicings and inversions of chords may provide smoother voice leading. Rigorous concern for voice leading is of greatest importance in common-practice music, although jazz and pop music also demonstrate attention to voice leading to varying degrees. The style of voice leading will depend on the performing medium; for ...
The leading-tone seventh chords are vii ø 7 and vii o 7, [24] the half-diminished and diminished seventh chords on the seventh scale degree of the major and harmonic minor. For example, in C major and C minor, the leading-tone seventh chords are B half-diminished (B–D–F–A) and B diminished (B–D–F–A ♭), respectively.
Chords written upon two consecutive degrees of the [diatonic] scale can have no tones in common. All other chords [in the diatonic scale] have common tones. Common tones are also called connecting tones, and in part-writing, are to be retained in the same voice. Chords which are four or five degrees apart have one common tone.
Four-voice classical, three-voice and four-voice jazz "versions" [voicings] of the ii–V 7 –I progression. The classical example features inversions to emphasize the bass line's independence while the jazz examples feature root progression by fifths and "perfectly smooth voice leading" produced by the 7th of each chord falling a semitone to ...
Besides the dominant seventh chords discussed above, other seventh chords—especially minor seventh chords and major seventh chords—are used in guitar music. Minor seventh chords have the following fingerings in standard tuning: Dm7: [XX0211] Em7: [020000] Am7: [X02010] Bm7: [X20202] F ♯ m7: [202220] or ([XX2222] Also an A/F ♯ Chord)
Seventh (F), in red, of a G7 dominant seventh chord in C Third inversion G7 chord; the seventh is the bass. In music, the seventh factor of a chord is the note or pitch seven scale degrees above the root or tonal center. [1] When the seventh is the bass note, or lowest note, of the expressed chord, the chord is in third inversion Play ⓘ.
For example, if a seventh chord, such as G 7, appears in a lead sheet or fake book, many chord-playing performers add the ninth, thirteenth or other notes to the chord, even though the lead sheet does not specify these additional notes. Jazz players can add these additional, upper notes because they can create an important part of the jazz sound.
The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...