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Haʻamonga ʻa Maui ("The Burden of Maui") is a stone trilithon located in Tonga, on the eastern part of the island of Tongatapu, in the village of Niutōua, in Heketā. It was built in the 13th century by King Tuʻitātui in honor of his two sons. [1] The monument is sometimes called the "Stonehenge of the Pacific". [1]
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The statue of A'a from Rurutu is a wooden sculpture of the god A'a that was made on the Pacific island of Rurutu in the Austral archipelago most likely in the late 1500s to mid 1600s. In the early nineteenth century, the sculpture was given by the islanders to the London Missionary Society to mark their conversion to Christianity. Subsequently ...
Petroglyphs, Tattooing, painting, wood carving, stone carving and textile work are other common art forms. Contemporary Pacific art is alive and well, encompassing traditional styles, symbols, and materials, but now imagined in a diversity of contemporary forms, revealing the complexity of geographic, cultural and individual interaction and ...
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
His design for the Gandhi Smarak Sangrahalaya in Ahmedabad is a notable example. [11] Lúcio Costa and Oscar Niemeyer: These Brazilian architects were instrumental in the development of Tropical Modernism in Brazil, with their design for the city of Brasília showcasing modernist architectural principles adapted to the tropical climate.
The tradition of Kapaemahu, like all pre-contact Hawaiian knowledge, was orally transmitted. [11] The first written account of the story is attributed to James Harbottle Boyd, and was published by Thomas G. Thrum under the title “Tradition of the Wizard Stones Ka-Pae-Mahu” in the Hawaiian Almanac and Annual for 1907, [1] and reprinted in 1923 under the title “The Wizard Stones of Ka-Pae ...
Carved stone and wooden objects in ancient Polynesian religions, when properly fashioned and ritually prepared, were believed to be charged by a magical spiritual essence called mana." [ 19 ] Archaeologists believe that the statues were a representation of the ancient Polynesians' ancestors.