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The poem opens by describing the flight of three swan-maidens identified in stanza 1 as meyjar, drósir, alvitr and suðrœnar ('young women, stately women, foreign beings, southerners') to a 'sævar strǫnd' ('lake/sea-shore') where they meet the three brothers Egill, Slagfiðr and Vǫlundr. Each maid takes one of the brothers as her own.
It is the fourth poem of the section "Tableaux Parisiens", and the first in a series of three poems dedicated to Victor Hugo. It is the second poem of the section named after one of its characters. The Swan is also the only poem of this section to feature a titular non-human protagonist. [1]
The poem begins with a description of the River Thames where Spenser finds two beautiful maidens. The poet proceeds to praise them and wishing them all the blessings for their marriages. The poem begins with a fine description of the day when on which he is writing the poem: Calm was the day and through the trembling air
Doggerel, or doggrel, is poetry that is irregular in rhythm and in rhyme, often deliberately for burlesque or comic effect. Alternatively, it can mean verse which has a monotonous rhythm, easy rhyme, and cheap or trivial meaning. The word is derived from the Middle English dogerel, probably a derivative of dog. [1]
The Swan of Tuonela is the most popular of the four tone poems and often is featured alone from the suite in orchestral programs. It has a prominent cor anglais solo. The music paints a gossamer, transcendental image of a mystical swan swimming around Tuonela, the island of the dead.
The young man is a monk just like Su, who cannot marry either of the two young ladies, which results in a tragic ending. [2] The similarity between the novel with The Dream of the Red Chamber has led scholars to conclude that Su was much influenced by it. [2] And The Lon Swan is one of the forefathers of the Mandarin Ducks and Butterflies ...
The Silver Swan" in particular is contrapuntally similar to the composer's First (Short) Service in F, [20] and shows a musical affinity to Byrd, Gibbons's esteemed elder contemporary. [21] Fellowes likens the madrigal's conventional structure, particularly its repeated B-section, to the ayres of lute composers like Thomas Campion and John ...
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes , for example AABBCC, ABABCC, AABCCB or AAABAB. [ 1 ]