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The DSS80 was afflicted with a glitch concerning the main volume control. At times, when one of the buttons was held down, the volume would quickly increase to the maximum, or decrease to the minimum setting. The only way to stop this process was to hit the mute button. These issues seem to be resolved when connected to Windows Vista and Windows 7.
Compression is used extensively in broadcasting to boost the perceived volume of sound while reducing the dynamic range of source audio. To avoid overmodulation, broadcasters in most countries have legal limits on instantaneous peak volume they may broadcast. Normally these limits are met by permanently inserted compression hardware in the on ...
Intel High Definition Audio (IHDA) (also called HD Audio or development codename Azalia) is a specification for the audio sub-system of personal computers. It was released by Intel in 2004 as the successor to their AC'97 PC audio standard.
Audio channels: A 2.1-channel soundbar has two main speakers and one subwoofer. A 7.1.2-channel system has seven main speakers, one subwoofer and two rear speakers.
Before loudness normalization, one song in a playlist might be quieter than the rest, so the listener would have to turn a volume knob up to adjust the playback volume. [ 4 ] Depending on the dynamic range of the content and the target level, loudness normalization can result in peaks that exceed the recording medium's limits, causing clipping.
Control channels Controlled source Wave / PCM stereo: Audio signal generated by the CPU via the sound card's digital-to-analog converter. (This includes audio produced by games, MP3 or WAV players, but also some software playing a CD-DA through the CPU, such as, Windows Media Player or Media Player Classic, as well as TV tuner cards that use the CPU for decoding audio.)
Line level is the specified strength of an audio signal used to transmit analog sound between audio components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles. Generally, line level signals sit in the middle of the hierarchy of signal levels in audio engineering.
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