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"Just a Closer Walk with Thee" is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals .
"Walk by Faith" is a song by Jeremy Camp that reached No. 1 on the Hot Christian Songs Billboard chart. [1] It is his second song to be made into a music video and is off Jeremy's first major-label studio album, released in 2002, called Stay. [2] It later appeared on his second album, Carried Me: The Worship Project, in 2004. The song was ...
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Sabine Baring-Gould, 1869 Arthur Sullivan, c. 1870 "Onward, Christian Soldiers" is a 19th-century English hymn.The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871.
"I'll Walk with God" is a popular song written for the motion picture The Student Prince with music by Nicholas Brodzsky and lyrics by Paul Francis Webster published in 1954. The film's title character, who was played by actor Edmund Purdom with singing dubbed by tenor Mario Lanza , sings this song at the coffin of his grandfather, the king of ...
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"Walk, Don't Run" is an instrumental composition written and originally recorded by jazz guitarist Johnny Smith in 1954, which achieved worldwide fame when The Ventures recorded a cover version in 1960. [1] It was adapted and re-recorded by Chet Atkins in 1956, and was a track on the LP Hi-Fi In Focus.
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