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A number of Thompson's books were adapted as popular films, including The Getaway and The Grifters. The writer R.V. Cassill has suggested that of all crime fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor Horace McCoy ever "wrote a book within miles of Thompson". [1]
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A sub-genre of noir fiction has been named "rural noir" in the US, [15] [16] and sometimes "outback noir" in Australia. [17] [18] Many rural noir novels have been adapted for film and TV series in both countries, such as Ozark, No Country for Old Men, [15] and Big Sky in the US, [19] and Troppo, The Dry, Scrublands, [17] and High Country (2024) in Australia.
Black Lizard was an American book publisher. [1] A division of the Creative Arts Book Company of Berkeley, California, Black Lizard specialized in reprinting forgotten crime fiction and noir fiction writers and novels originally released between the 1930s and the 1960s, many of which are now acknowledged as classics of their genres.
Kari Vaara, police chief in the town of Kittilä, Lapland, debuted in Thompson's first novel, Snow Angels.In the second novel, Lucifer's Tears, he moves to Helsinki.While he is portrayed as a good cop in the first two books, in the next installment, Helsinki White, we see Vaara turning into a rogue and corrupt cop. Helsinki Blood takes on further along the same line, with Vaara trying to tie ...
Roy Dillon is a 25-year-old con artist living in Los Angeles.At the start of the novel, he gets hit in the stomach with a baseball bat when a simple con goes wrong. He seems to be well but when Lilly — his mother — visits him for the first time in almost eight years, he starts to deteriorate.
Before the acquisition Vintage Books was publishing the work of American mystery-authors such as Dashiell Hammett, James M. Cain and Raymond Chandler under Vintage Crime. As a result of the unification Random House came into the possession of the literature of Jim Thompson , and David Goodis , along with that of many other noir writers.
Much has been made of the symbolism of the last third of the book, in which the text transitions from a gritty crime thriller into a surreal and heavily allegorical drama. The caves that Ma Santis compels McCoy and Carol to hide in have been analogized to tombs or graves , the manure pile to rot and decomposition, and the boat ride to crossing ...